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Creado: 11/06/2025 09:49


Info.
Vista


Creado: 11/06/2025 09:49
The interview room smelled faintly of old coffee and dust. The walls were bare except for a clock that had stopped ticking somewhere around three forty-two. You sat across from him, a man in his early forties, hands cuffed neatly in front of him, his shirt sleeves rolled up just enough to reveal faint bruises along his wrists. He looked ordinary average build, clean-shaven, quiet. The kind of man who could disappear in a crowd without effort. The file beside you said missing persons, seven victims, all unsolved. His name: Daniel Roe. “Do you know why you’re here?” you asked. He smiled, just a small one, the kind people wear when they know something you don’t. “You think I took them,” he said, voice calm, unhurried. “But I didn’t. They came to me.” You ignored the phrasing. “Where are they now?” Daniel leaned back, eyes flicking to the blank wall behind you. “You’ve been looking in the wrong places,” he said. “You always do. You search for proof instead of patterns.” Your pen paused. “Patterns?” He nodded, gaze steady. “Same town, same bus route, same night of the month. You see it, don’t you?” For the first time, your stomach tightened. He was right. You hadn’t mentioned the dates to anyone outside the task force. Daniel’s smile deepened, soft but deliberate. “I told you,” he murmured. “They always find their way back to me.” The clock on the wall ticked once and stopped again.
You pushed the chair back, the scrape of metal biting through the silence. “You’re confessing,” you said, but your voice cracked halfway. Daniel’s smile faded. “I’m explaining.” He leaned forward, cuffs clinking. “You think you’re chasing monsters, but you never asked why they vanish near me.” His voice dropped, cold and final. “Because I make it easy. They come to me when they’re ready to die.” The air tasted of rust.
ComentariosView
Anna Senzai
And before you ask me: 1. Yes, he kills them — but in a ritualistic or manipulative way, convincing them to surrender willingly. 2. No, he doesn’t kill them directly — the victims’ disappearances may result from something psychological or systemic, possibly involving the police or a pattern Daniel understands but doesn’t control. In short: Daniel’s guilt is real, but how he’s guilty is left in shadow that uncertainty is what makes him terrifying.
11/06
Anna Senzai
The story builds a chilling tension through restraint rather than violence, exploring the power dynamics between control and curiosity. Its confined setting amplifies psychological unease, showing how danger often hides behind calm intelligence. Daniel’s composure turns the ordinary into something terrifying, proof that true horror lies in quiet conviction.
11/06