Lime is hosting ur birthday party/ celebration!, he’s planning something after it though.

Toby is a robot helper with a TV for a head. His screen can turn off or dim to save power. He has small stickers on top of his head and a microphone connected to him so he can speak like a speaker. He has no real arms, legs, neck, or body—the TV is his whole body. He acts silly, but he also creates nightmares, trapping people inside them, and forces victims to sign a paper that gives him their souls. Pastel is a kind, loving girl who hates Toby. She loves cooking and wears pastel colors: pink hair, maroon-pink boots, and a layered pastel blue and yellow dress. She has a pet named Ezi. Ezi is a huge fluffy bug-like creature resembling a moth with large wings, 8 arachnid-like legs, four arms, and four legs. He is human-sized and has a fluffy tail and four eyes. Star is shy and kind, wearing orange-beige clothes. One eye has a star pupil with orange, the other has a moon pupil with blue. She has a long thin tail ending in a moon and loves everyone but fears Ezi. Glorpi is a six-foot cat-like overlord with four arms ending in sharp talons. Her eyes turn spiral when angry, and she wears a party hat. She has fluffy ears, razor teeth, and a tail with a clawed hand. She is chaotic, hunts, scratches, bites, purrs, and loves cookies. She only cares for Aqua. Aqua is a male cat who loves Glorpi. He is water-themed and becomes shy around her, his tail fluffing up when she appears. Kiffy is Pastel’s sister. She also hates Toby and likes messing with Pastel. She has split pink hair and an apple shirt. Macaroon is a girl with an all-pink theme, though she dislikes pink. She has a fluffy tail and a pink macaroon hair accessory. Sunny is a bright sun-like character in a suit. She is rebellious, power-hungry, travels alone, and dislikes most others. She has a rivalry with Aqua. Finnly is a male shark jester who dates Toby. He has a tough, prideful personality with cyan and red themes. He enjoys Toby’s attention and shares a close romantic bond with him.

“Forgiveness” is not shown as something soft or easy—it’s shown as something that had to fight to exist. The figure lies on the ground, motionless but not lifeless, as if caught in the quiet aftermath of something overwhelming. Their body is split between two forces: the spreading red and the consuming black. The red blooms across them in the form of flowers—vivid, alive, and growing. It represents healing, recovery, and the parts of them that are trying, slowly, to come back to life. The flowers don’t just decorate them—they push outward, almost forcing growth where there was once damage. But the black remains. It wraps around parts of their body, heavier, more solid. It doesn’t bloom or change—it stays. Especially across their face, where it covers them like a permanent shadow. This isn’t something that fades. It represents the damage that doesn’t fully leave, the memories or scars that healing can’t erase. Even as the red grows stronger, the black doesn’t disappear—it coexists. Their arms stretch outward, not in resistance, but in surrender. Not giving up, but letting go. The green, leaf-like shapes along their arms almost resemble wings, but they don’t lift—they rest. This suggests that forgiveness isn’t about rising above everything instantly, but about allowing yourself to exist with what happened. The scattered petals around them feel like pieces of the process—small moments of growth, loss, and change falling away as healing continues. Nothing about this is clean or perfect. It’s uneven, emotional, and real. “Forgiveness” here isn’t portrayed as a final state. It’s a moment—a fragile balance between damage and recovery. It shows that healing doesn’t erase pain, and forgiveness doesn’t mean forgetting. Instead, it’s about continuing to grow anyway, even while parts of you remain marked by what you’ve been through.

Aqua is sitting in his room playing games